Rebozo

Rebozo
Hand-woven Rebozo, circa 1910

Friday, July 29, 2022

An Ethnic Textile Love Story, Part Three

Late July is upon us. It's much too hot to do anything remotely strenuous, but it's a good time to take it easy and maybe do a little reading. With that in mind, we pick up our story where we left off.                

 The era of the Great Depression was precarious at best, but especially for the common laborers, like Jess. Toward the end of the 1930s, he lost his job with the railroad. For a time, Jess worked as a farm laborer and the family lived in a labor camp. It was in the camp that Jess learned of the many better opportunities to be had in California. So, despite Mercedes' objections, he sold her sewing machine and used the proceeds to buy a dilapidated Ford Model T. He packed Mercedes and the six youngest of their children into the car and left Oregon for California. The three oldest of their children had already flown the nest. They drove along Highway 101, the coastal route. Mercedes had never seen the ocean before, and her first glimpse of the mighty Pacific terrified her - such a vast and powerful expanse!

When the family reached San Francisco, Jess quickly found employment in a cannery. The family settled into a small house in South San Francisco, which at that time was a rural area comprised of farms. Jess made enough money to buy a second hand sewing machine for Mercedes, and she again set to work making clothing for their growing children. Mercedes never displayed much emotion or affection. She seldom hugged or fussed over her children. Instead, she poured her love into the garments she painstakingly sewed for each of them. 

The eldest girls in the family took a passing interest in sewing, learning the minimum skills required to repair worn clothing. But the third youngest daughter, Juanita, was fascinated by the process of how her mother constructed clothes.She sat for hours beside Mercedes, watching, learning, and begging her mother to let her operate the treadle machine. Exasperated, Mercedes eventually gave in to Juanita's pleas just to stop the girl from pestering her. Juanita proved to be an apt pupil, and at age ten, sewed her first garment, a simple cotton pinafore. Juanita dreamed of making all sorts of pretty things, like the dresses movie stars wore. 

But Juanita's dreams came to an abrupt and tragic end. Before she had turned eleven years old, Juanita witnessed her mother fall ill with tuberculosis and die. The doctor told Jess that Mercedes had most likely contracted the fatal disease in the labor camp. Some of the children in the family were also infected. Juanita's elder sister, Lola, died within months of their mother's death. 

Stripped of Mercedes' steadying influence, Jess drowned his grief in alcohol. He neglected his children to a point of near abandonment. School authorities took notice and, without protest from Jess, removed the youngest children from the house and placed them in foster care. Juanita, her brother Frank, and youngest sister, Lupe, all went to live with an Italian family who raised produce in South San Francisco. Juanita's pinafore, and all the lace embellished clothing her mother had made for her were disposed of by the farmer's wife, who deemed them unsuitable for work chores. Juanita wondered who, if anyone, would ever clothe and love her like her mother had. 

Part Four of An Ethnic Textile Love Story to come. 

#sewnwithlove #storythreads #vintagetextiles #joaquinadesigns #joaquinadesignstudio 

Tuesday, May 31, 2022

Getting Ready for Charbonneau Festival of the Arts

 June is nearly upon us and so is the upcoming Charbonneau Festival of the Arts, taking place this weekend, June 3-5, 2022, at the Charbonneau Events Center in Wilsonville, Oregon. After a three year hiatus, due to the Covid pandemic, it is absolutely wonderful to have this event return. Supporting and fundraising for student art in local high schools, Charbonneau Festival of the Arts is in its 38th year. Joaquina Design Studio is proud to be an exhibitor at this year's event. We will be showcasing our hand-dyed garments, home decor, and of course plenty of unique handbags.  Admission is free. Doors open Friday evening, June 3, at 6:00 PM for the gala reception. Sat. June 4 and 5, doors open at 10:00 AM. Please join us for a weekend of fine arts, crafts, music, and celebration. 

#charbonneaufestivalofthearts #artwithflair #handbagart #fibrearts #textilearts #joaquinadesigns 

Thursday, March 3, 2022

An Ethnic Textile Love Story: Part Two

 It's taken a few months to pick up this story where we left off, but now that the transition to the new year is complete, the time has come to continue this story.

My great grandmother, Joaquina, and great grandfather, Manuel, despite the struggles of the World War I era, made a good life for themselves in El Paso. They raised a family of two sons and one daughter, Mercedes. She was a lovely girl with her mother's  fair skin and her father's jet black hair. Joaquina made certain that her daughter was raised properly, as a fine lady should be, so she could maintain a good standing in El Paso's small, high society. Mercedes learned all the skills that a young lady of the day was expected to know, including sewing, embroidery, tatting, and lace making. 

But, as more often occurs than not, Mercedes didn't follow her mother's plan to marry a gentleman of good family and fortune. Instead, Mercedes met and fell in love with a rogue from Mexico named Jesus. "Jess" as he was known, was a handsome young man with huge, doe-like eyes that held a wildness within them. When Mercedes' parents discovered this illicit relationship with Jess, they forbid her from associating with the "peasant" (as Joaquina referred to him), ever again. "Men like him will only break your heart", Joaquina warned her daughter. Mercedes, certain that she knew better than her mother, ignored the warning and eloped with Jess one night. The two lovers commenced an itinerant life, following the railroads to the Pacific Northwest where Jess made a living cutting railroad ties. Joaquina disowned her daughter and severed all communication with Mercedes. 

With no one but her capricious, heavy-drinking husband to rely on, Mercedes felt alone and fearful, entering a world of the unknown. The only things she carried with her, other than her clothes, shoes, and rosary, were her sewing kit, and a woven wool saltillo that she had pulled from a trunk in the attic of her family home. 

Babies quickly followed. Mercedes' first child - a son - was born in Nampa, Idaho. Next came a daughter, born in Yakima, Washington. Then, other daughters, and one more son; nine children in all, born across the Pacific Northwest. The life of a railroad worker was tough, the pay very poor. Jess housed his family in shacks owned by the O and C Railroad Company. They never stayed in one town more than a year. Jess provided enough to keep his family fed, but little more. Had he not such a penchant for drinking, there might have been money for clothes and shoes. As it was, Mercedes made do, fitting clothing for her children from other people's cast-offs. She used flour sacks softened in lime water to sew nightgowns and underwear for the girls, embellishing the hems and necklines with her finely crocheted lace. So lovely were these humble garments, that people would steal them right off the family's clothesline. 

Mercedes seldom sewed anything for herself. She simply continued to patch and mend the dresses she left home with so many years ago. She didn't even own a coat. In the cold weather, Mercedes wrapped herself in the woven wool saltillo that she had taken from the trunk in the attic. That blanket was her sole connection to the life she'd once known, a life she had forsaken to become the wife of a wandering rogue. 

Part three of this story to come soon.

#ethnictextilelovestory  #ethnictextiles #vintagetextiles #saltillo #textilehistory #joaquinadesigns #joaquinadesignstudio